A striking pair of sculptural “handkerchief” planters attributed to Swiss modernist Willy Guhl, produced in fiber-reinforced concrete for Eternit, Switzerland, circa 1960.
These iconic forms, sometimes referred to as “elephant ear” planters, epitomize Guhl’s revolutionary approach to material and design. Working in the 1950s–60s, Guhl transformed industrial fiber cement into objects of organic beauty, creating pieces that feel simultaneously raw, architectural, and effortlessly modern. His planters in particular are among the most enduring expressions of mid-century landscape design. They are lightweight yet incredibly durable, with fluid silhouettes that blur the line between sculpture and utility.
The handkerchief form is one of his most celebrated designs: a soft, draped shape captured in rigid material, giving the illusion of movement while remaining grounded and architectural. Decades later, these forms remain highly sought after by designers and collectors for their ability to anchor both interior and exterior spaces.
Each planter features a beautifully weathered surface, with natural patina developed over years of outdoor use—mottled tones of chalky white, mossy green, and warm earth. No two are exactly alike, making each piece entirely unique.
Good vintage condition with age-appropriate wear. Visible surface patina, including discoloration, mossing, and areas of dark oxidation consistent with long-term outdoor exposure. Minor edge wear and small chips present. Typical hairline surface variations to the concrete may be present but do not affect structural integrity. Drainage holes present. Structurally sound and ready for continued indoor or outdoor use.
Dimensions:
31” W
14.5” H
8” base diameter
Sold as a pair (two pairs available)
A striking pair of sculptural “handkerchief” planters attributed to Swiss modernist Willy Guhl, produced in fiber-reinforced concrete for Eternit, Switzerland, circa 1960.
These iconic forms, sometimes referred to as “elephant ear” planters, epitomize Guhl’s revolutionary approach to material and design. Working in the 1950s–60s, Guhl transformed industrial fiber cement into objects of organic beauty, creating pieces that feel simultaneously raw, architectural, and effortlessly modern. His planters in particular are among the most enduring expressions of mid-century landscape design. They are lightweight yet incredibly durable, with fluid silhouettes that blur the line between sculpture and utility.
The handkerchief form is one of his most celebrated designs: a soft, draped shape captured in rigid material, giving the illusion of movement while remaining grounded and architectural. Decades later, these forms remain highly sought after by designers and collectors for their ability to anchor both interior and exterior spaces.
Each planter features a beautifully weathered surface, with natural patina developed over years of outdoor use—mottled tones of chalky white, mossy green, and warm earth. No two are exactly alike, making each piece entirely unique.
Good vintage condition with age-appropriate wear. Visible surface patina, including discoloration, mossing, and areas of dark oxidation consistent with long-term outdoor exposure. Minor edge wear and small chips present. Typical hairline surface variations to the concrete may be present but do not affect structural integrity. Drainage holes present. Structurally sound and ready for continued indoor or outdoor use.
Dimensions:
31” W
14.5” H
8” base diameter
Sold as a pair (two pairs available)
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